Style
His novels share a number of characters, giving the feel of a "shared universe" within his writing. For example, characters from Trainspotting make cameo appearances in The Acid House, Marabou Stork Nightmares, Ecstasy, Filth, and slightly larger appearances in Glue, whose characters then appear in Porno.
Irvine Welsh is known for writing in his native Edinburgh Scots dialect. He generally ignores the traditional conventions of literary Scots, used for example by Allan Ramsay, Robert Fergusson, Robert Burns, Robert Louis Stevenson, and James Orr. Instead, he transcribes dialects phonetically.
Like Alasdair Gray before him, Welsh also experiments with typography. A notable example is the book Filth, where the tapeworm's internal monologue is imposed over the top of the protagonist's own internal monologue (the worm's host), visibly depicting the tapeworm's voracious appetite, much like the 'Climax of Voices' in Gray's novel 1982, Janine.
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Famous quotes containing the word style:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)