A Center For Musical Research
Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and the real-time audio processing graphical programming environment Max/MSP including many of its derivatives, such as jMax,which were developed there. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on fast Fourier transforms, were made practical by technological contributions at IRCAM. IRCAM has also developed a special microphone capable of isolating each of the cello's four strings for separate amplification or electronic treatment.
IRCAM provides classes to train composers in music technology. Composers who do not have programming experience to create the technology end of a piece for ensemble and electronics are provided with an assistant who helps them to realize technically intensive parts of the piece. The assistant will follow the conceptual advice of a composer with no technology experience to realize a computer part, or will help a composer who can program in Max/MSP to make their "patch" more efficient and elegant. Tristan Murail's Désintégrations is an example of a piece realized in this program by a composer with significant technological skill, whereas Harrison Birtwistle's Mask of Orpheus required an active and creative role for the technology assistants, such as Barry Anderson and Ian Dearden.
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