IRCAM - A Center For Musical Research

A Center For Musical Research

Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and the real-time audio processing graphical programming environment Max/MSP including many of its derivatives, such as jMax,which were developed there. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on fast Fourier transforms, were made practical by technological contributions at IRCAM. IRCAM has also developed a special microphone capable of isolating each of the cello's four strings for separate amplification or electronic treatment.

IRCAM provides classes to train composers in music technology. Composers who do not have programming experience to create the technology end of a piece for ensemble and electronics are provided with an assistant who helps them to realize technically intensive parts of the piece. The assistant will follow the conceptual advice of a composer with no technology experience to realize a computer part, or will help a composer who can program in Max/MSP to make their "patch" more efficient and elegant. Tristan Murail's Désintégrations is an example of a piece realized in this program by a composer with significant technological skill, whereas Harrison Birtwistle's Mask of Orpheus required an active and creative role for the technology assistants, such as Barry Anderson and Ian Dearden.

Read more about this topic:  IRCAM

Famous quotes containing the words center, musical and/or research:

    Death is someone you see very clearly with eyes in the center of your heart: eyes that see not by reacting to light, but by reacting to a kind of a chill from within the marrow of your own life.
    Thomas Merton (1915–1968)

    Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.
    Stephanie Martson (20th century)

    The great question that has never been answered, and which I have not yet been able to answer, despite my thirty years of research into the feminine soul, is “What does a woman want?”
    Sigmund Freud (1856–1939)