Sadanga of Indian Painting
Around 1st century BC the Sadanga or Six Limbs of Indian Painting, were evolved, a series of canons laying down the main principles of the art. Vatsyayana, who lived during the third century A.D., enumerates these in his Kamasutra having extracted them from still more ancient works.
These 'Six Limbs' have been translated as follows:
- Rupabheda The knowledge of appearances.
- Pramanam Correct perception, measure and structure.
- Bhava Action of feelings on forms.
- Lavanya Yojanam Infusion of grace, artistic representation.
- Sadrisyam Similitude.
- Varnikabhanga Artistic manner of using the brush and colours. (Tagore.)
The subsequent development of painting by the Buddhists indicates that these ' Six Limbs ' were put into practice by Indian artists, and are the basic principles on which their art was founded.
Read more about this topic: Indian Painting
Famous quotes containing the words indian and/or painting:
“The Indian remarked as before, Must have hard wood to cook moose-meat, as if that were a maxim, and proceeded to get it. My companion cooked some in California fashion, winding a long string of the meat round a stick and slowly turning it in his hand before the fire. It was very good. But the Indian, not approving of the mode, or because he was not allowed to cook it his own way, would not taste it.”
—Henry David Thoreau (18171862)
“The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.”
—Sir Herbert Read (18931968)