Community
Many theatre troupes are devoted to staging improvisational performances and growing the improv community through their training centres. One of the most widespread is the international organization Theatresports, which was founded by Keith Johnstone, an English director who wrote what many consider to be the seminal work on the relationship between status, story telling and improvisational acting, Impro. There are also many independent Improv groups around the world; a non-exhaustive but lengthy list is available here. In addition to for-profit theatre troupes, there are several college-based improv groups in the United States that are becoming popularized as a result of programs such as Whose Line is it Anyway?.
In Europe the special contribution to the theatre of the abstract, the surreal, the irrational and the subconscious have been part of the stage tradition for centuries. From the 1990s onwards a growing number of European Improv groups have been set up specifically to explore the possibilities offered by the use of the abstract in improvised performance, including dance, movement, sound, music, mask work, lighting, and so on. These groups are not especially interested in comedy, either as a technique or as an effect, but rather in expanding the improv genre so as to incorporate techniques and approaches that have long been a legitimate part of European theatre.
Read more about this topic: Improvisational Theatre
Famous quotes containing the word community:
“Populism is folkish, patriotism is not. One can be a patriot and a cosmopolitan. But a populist is inevitably a nationalist of sorts. Patriotism, too, is less racist than is populism. A patriot will not exclude a person of another nationality from the community where they have lived side by side and whom he has known for many years, but a populist will always remain suspicious of someone who does not seem to belong to his tribe.”
—John Lukacs (b. 1924)
“He thought that, because the community represents millions of people, therefore it must be millions of times more important than the individual, forgetting that the community is an abstraction from the many, and is not the many themselves.”
—D.H. (David Herbert)
“I do not mean to imply that the good old days were perfect. But the institutions and structure—the web—of society needed reform, not demolition. To have cut the institutional and community strands without replacing them with new ones proved to be a form of abuse to one generation and to the next. For so many Americans, the tragedy was not in dreaming that life could be better; the tragedy was that the dreaming ended.”
—Richard Louv (20th century)