Community
Many theatre troupes are devoted to staging improvisational performances and growing the improv community through their training centres. One of the most widespread is the international organization Theatresports, which was founded by Keith Johnstone, an English director who wrote what many consider to be the seminal work on the relationship between status, story telling and improvisational acting, Impro. There are also many independent Improv groups around the world; a non-exhaustive but lengthy list is available here. In addition to for-profit theatre troupes, there are several college-based improv groups in the United States that are becoming popularized as a result of programs such as Whose Line is it Anyway?.
In Europe the special contribution to the theatre of the abstract, the surreal, the irrational and the subconscious have been part of the stage tradition for centuries. From the 1990s onwards a growing number of European Improv groups have been set up specifically to explore the possibilities offered by the use of the abstract in improvised performance, including dance, movement, sound, music, mask work, lighting, and so on. These groups are not especially interested in comedy, either as a technique or as an effect, but rather in expanding the improv genre so as to incorporate techniques and approaches that have long been a legitimate part of European theatre.
Read more about this topic: Improvisational Theatre
Famous quotes containing the word community:
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—Deborah Meier (b. 1931)
“The most perfect political community must be amongst those who are in the middle rank, and those states are best instituted wherein these are a larger and more respectable part, if possible, than both the other; or, if that cannot be, at least than either of them separate, so that being thrown into the balance it may prevent either scale from preponderating.”
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“... to a poet, the human community is like the community of birds to a bird, singing to each other. Love is one of the reasons we are singing to one another, love of language itself, love of sound, love of singing itself, and love of the other birds.”
—Sharon Olds (b. 1942)