Theatre
| Year | Title | Role | Company |
|---|---|---|---|
| 1985 | Cabaret | Sally Bowles | Wolsey Theatre, Ipswich |
| 1986 | The Rover | Helena | Swan Theatre, Stratford |
| 1986 | Two Noble Kinsmen | Gaoler's daughter | The Other Place, Stratford |
| 1987 | Richard II | Queen Isabel | Swan |
| 1989 | Othello | Desdemona | The Other Place |
| 1992 | Heartbreak House | Ellie | Theatre Royal, Haymarket |
| 1994 | Saint Joan | Joan | Strand Theatre |
| 1994 | Uncle Vanya | Yelena | Chichester Festival |
| 1996 | A Streetcar Named Desire | Stella | Theatre Royal, Haymarket |
| 1998 | Closer | Anna | Lyric Theatre, London |
| 1998 | Betrayal | Emma | National Theatre |
| 2001 | The Relapse | Amanda | National |
| 2002 | Three Sisters | Masha | Theatre Royal, Bath (and tour) |
| 2003 | Mum's the Word | Linda | Albery Theatre |
| 2004 | Hamlet | Gertrude | Old Vic |
| 2006 | Duchess of Malfi | Duchess | West Yorkshire Playhouse |
| 2009 | Alphabetical Order | Lucy | Hampstead Theatre |
| 2010 | The Glass Menagerie | Amanda | Shared Experience |
| 2011 | Private Lives | Amanda | Manchester Royal Exchange |
| 2011 | Little Eyolf | Rita | Jermyn Street Theatre, London |
| 2011 | Salt, Root and Roe | Menna | Trafalgar Studios, London |
| 2012 | Orpheus Descending | Lady | Royal Exchange Theatre, Manchester |
Read more about this topic: Imogen Stubbs
Famous quotes containing the word theatre:
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (1889–1945)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)