Theatre
| Year | Title | Role | Company |
|---|---|---|---|
| 1985 | Cabaret | Sally Bowles | Wolsey Theatre, Ipswich |
| 1986 | The Rover | Helena | Swan Theatre, Stratford |
| 1986 | Two Noble Kinsmen | Gaoler's daughter | The Other Place, Stratford |
| 1987 | Richard II | Queen Isabel | Swan |
| 1989 | Othello | Desdemona | The Other Place |
| 1992 | Heartbreak House | Ellie | Theatre Royal, Haymarket |
| 1994 | Saint Joan | Joan | Strand Theatre |
| 1994 | Uncle Vanya | Yelena | Chichester Festival |
| 1996 | A Streetcar Named Desire | Stella | Theatre Royal, Haymarket |
| 1998 | Closer | Anna | Lyric Theatre, London |
| 1998 | Betrayal | Emma | National Theatre |
| 2001 | The Relapse | Amanda | National |
| 2002 | Three Sisters | Masha | Theatre Royal, Bath (and tour) |
| 2003 | Mum's the Word | Linda | Albery Theatre |
| 2004 | Hamlet | Gertrude | Old Vic |
| 2006 | Duchess of Malfi | Duchess | West Yorkshire Playhouse |
| 2009 | Alphabetical Order | Lucy | Hampstead Theatre |
| 2010 | The Glass Menagerie | Amanda | Shared Experience |
| 2011 | Private Lives | Amanda | Manchester Royal Exchange |
| 2011 | Little Eyolf | Rita | Jermyn Street Theatre, London |
| 2011 | Salt, Root and Roe | Menna | Trafalgar Studios, London |
| 2012 | Orpheus Descending | Lady | Royal Exchange Theatre, Manchester |
Read more about this topic: Imogen Stubbs
Famous quotes containing the word theatre:
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (1889–1945)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (1892–1983)
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)