Theatre
Year | Title | Role | Company |
---|---|---|---|
1985 | Cabaret | Sally Bowles | Wolsey Theatre, Ipswich |
1986 | The Rover | Helena | Swan Theatre, Stratford |
1986 | Two Noble Kinsmen | Gaoler's daughter | The Other Place, Stratford |
1987 | Richard II | Queen Isabel | Swan |
1989 | Othello | Desdemona | The Other Place |
1992 | Heartbreak House | Ellie | Theatre Royal, Haymarket |
1994 | Saint Joan | Joan | Strand Theatre |
1994 | Uncle Vanya | Yelena | Chichester Festival |
1996 | A Streetcar Named Desire | Stella | Theatre Royal, Haymarket |
1998 | Closer | Anna | Lyric Theatre, London |
1998 | Betrayal | Emma | National Theatre |
2001 | The Relapse | Amanda | National |
2002 | Three Sisters | Masha | Theatre Royal, Bath (and tour) |
2003 | Mum's the Word | Linda | Albery Theatre |
2004 | Hamlet | Gertrude | Old Vic |
2006 | Duchess of Malfi | Duchess | West Yorkshire Playhouse |
2009 | Alphabetical Order | Lucy | Hampstead Theatre |
2010 | The Glass Menagerie | Amanda | Shared Experience |
2011 | Private Lives | Amanda | Manchester Royal Exchange |
2011 | Little Eyolf | Rita | Jermyn Street Theatre, London |
2011 | Salt, Root and Roe | Menna | Trafalgar Studios, London |
2012 | Orpheus Descending | Lady | Royal Exchange Theatre, Manchester |
Read more about this topic: Imogen Stubbs
Famous quotes containing the word theatre:
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didnt learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (19001993)
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of ones own life.”
—Dame Alice Markova (b. 1910)