Works
Immanuel's varied scientific activity corresponded with his wide scholarship, though he confined his activity exclusively to Jewish subjects. With the exception of an introductory poem, his first work, dealing with the letter symbolism (see Hebrew alphabet) popular at that time, is lost. A second work, Even Bohan ("Touchstone") concerns biblical hermeneutics, dealing with the different meaning of verbs in different constructions, with the addition, omission, and interchange of letters, and with other linguistic questions. More important are his biblical commentaries, which cover all the books of the Bible, though some have since been lost. Following his Jewish and Christian contemporaries, he interpreted the Bible allegorically, symbolically, and mystically, endeavoring to find in it his own philosophical and religious views, though not disregarding the simple, literal meaning, which he placed above the symbolic. The sole value of his commentaries lies in the fact that his wide range of reading enabled him to make the works of other exegetes and philosophers accessible to his contemporaries and countrymen.
Read more about this topic: Immanuel The Roman
Famous quotes containing the word works:
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (18561950)
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (18711945)
“Was it an intellectual consequence of this rebirth, of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (18751955)