Lists of Image Schemas
While Johnson provided an initial list of image schemas in The Body in the Mind (p. 126), his diagrams for them are scattered throughout his book and he only diagrammed a portion of those image schemas he listed. In his work, Lakoff also used several additional schemas.
Johnson 1987:
- Spatial motion group
- Containment
- Path
- Source-Path-Goal
- Blockage
- Center-Periphery
- Cycle
- Cyclic Climax
- Force Group
- Compulsion
- Counterforce
- Diversion
- Removal of Restraint
- Enablement
- Attraction
- Link
- Scale
- Balance Group
- Axis Balance
- Point Balance
- Twin-Pan Balance
- Equilibrium
- Listed but unsketched and undiscussed in Johnson
- Contact
- Surface
- Full-Empty
- Merging
- Matching
- Near-Far
- Mass-Count
- Iteration
- Object
- Splitting
- Part-Whole
- Superimposition
- Process
- Collection
Additional schemas discussed in Lakoff 1987:
- Spatial group
- Above
- Across
- Covering
- Contact
- Vertical Orientation
- Length (extended trajector)
- Transformational group
- Linear path from moving object (one dimensional trajector)
- Path to endpoint (endpoint focus)
- Path to object mass (path covering)
- Multiplex to mass (possibly the same as Johnson's undefined Mass-Count)
- Reflexive (both part-whole and temporally different reflexives)
- Rotation
Image schemas proposed and discussed by others:
-
- Rough-smooth/Bumpy-smooth (Rohrer; Johnson and Rohrer)
Read more about this topic: Image Schema
Famous quotes containing the words lists of, lists and/or image:
“Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.”
—Joan Didion (b. 1934)
“Behold the AtomI preferred
To all the lists of Clay!”
—Emily Dickinson (18301886)
“The essence of the physicality of the most famous blonde in the world is a wholesome eroticism blurred a little round the edges by the fact she is not quite sure what eroticism is. This gives her her tentative luminosity and what makes her, somehow, always more like her own image in the mirror than she is like herself.”
—Angela Carter (19401992)