Early Fiction and Short Stories
Gwendolyn Tetlow believes that Hemingway's early fiction such as "Indian Camp" shows his lack of concern for character development by simply placing the character in his or her surroundings. However, in "Indian Camp" the use of descriptive detail such as a screaming woman, men smoking tobacco, and an infected wound build a sense of veracity. In other words, a story can communicate by subtext; for instance, Hemingway's "Hills Like White Elephants" does not mention the word "abortion", although in the story the male character seems to be attempting to convince his girlfriend to have an abortion. "Big Two-Hearted River" Hemingway explains "is about a boy...coming home from the war ....So the war, all mention of the war, anything about the war, is omitted." Hemingway intentionally left out something in "Indian Camp" and "Big Two-Hearted River"—two stories he considered to be good.
Baker explains that Hemingway's stories about sports are often about the athletes themselves and that the sport is incidental to the story. Moreover, the story "A Clean Well Lighted Place" which on the surface is about nothing more than men drinking in a cafe late at night, is in fact about that which brings the men to the cafe to drink, and the reasons they seek light in the night—none of which is available in the surface of the plot, but lurks in the iceberg below. Hemingway's story "Big Two-Hearted River" is ostensibly about nothing, as is "A Clean Well Lighted Place," but within nothing lies the crux of the story.
Read more about this topic: Iceberg Theory
Famous quotes containing the words early, fiction, short and/or stories:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)
“I think “taste” is a social concept and not an artistic one. I’m willing to show good taste, if I can, in somebody else’s living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another’s brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.”
—John Updike (b. 1932)
“Kids are fascinated by stories about what they were like when they were babies and what they said and did as they grew. This sense of history and connectedness increases your children’s feelings of security and safety, and helps them build the ability to make healthy connections in the world at large.”
—Stephanie Martson (20th century)