Culture
Owing to its multicultural roots, Transylvania has a very diverse culture, in which Hungarians left a distinctive mark. There is a vast network of Hungarian theaters, more than 200 years old and still functioning, and some of them, like those from Cluj-Napoca, Târgu-Mureş and Timişoara have international reputation. The number of Hungarian social and cultural organizations in Romania has greatly increased after the fall of communism, with more than 300 being documented a few years ago. There are also several puppet theatres. Professional Hungarian dancing in Romania is represented by the Maros Folk Ensemble (formerly State Szekler Ensemble) in Târgu-Mureş, the Hargita Ensemble, and the Pipacsok Dance Ensemble. Other amateur popular theaters are also very important in preserving the cultural traditions.
While in the past the import of books was hindered, now there are many bookstores selling books written in Hungarian. Two public TV stations, TVR1 and TVR2, broadcast several Hungarian programs with good audiences also from Romanians. This relative scarcity is partially compensated by private Hungarian-language television and radio stations, like DUNA-TV which is targeted for the Hungarian minorities outside Hungary, particularly Transylvania. A new TV station entitled "Transylvania" is scheduled to start soon, the project is funded mostly by Hungary but also by Romania and EU and other private associations. There are currently around 60 Hungarian-language press publications receiving state support from the Romanian Government. While their numbers dropped as a consequence of economic liberalisation and competition, there are many others private funded by different Hungarian organizations. The Székely Region has many touristic facilities that attract Hungarian and other foreign tourists.
Read more about this topic: Hungarians In Romania
Famous quotes containing the word culture:
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
—Michael Harrington (1928–1989)
“Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern life—its material plenitude, its sheer crowdedness—conjoin to dull our sensory faculties.”
—Susan Sontag (b. 1933)