Influences and Precursors
Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's Supernature (1977), Yellow Magic Orchestra's synth-disco-pop productions from their self-titled album (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime.
Disco was an influence on house music, which was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982) anticipated the sounds of acid house music, but is not known to have had any influence on the genre prior to its rediscovery in the 21st century.
Read more about this topic: House Music
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“However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.”
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