Horizontal And Vertical Writing In East Asian Scripts
Many East Asian scripts can be written horizontally or vertically. The Chinese, Japanese and Korean scripts can be oriented in either direction, as they consist mainly of disconnected syllabic units, each occupying a square block of space. On the other hand the traditional Mongolian script and its offshoots (like Manchu) are written vertically.
Horizontal writing is known in Chinese as hengpai (simplified Chinese: 横排; traditional Chinese: 橫排; pinyin: héngpái; literally "horizontal alignment"), in Japanese as yokogaki (横書き, "horizontal writing", also yokogumi, 横組み), and in Korean as garosseugi (가로쓰기) or hoengseo (횡서; 橫書).
Vertical writing is known respectively as zongpai (simplified Chinese: 纵排; traditional Chinese: 縱排; pinyin: zòngpái; literally "vertical alignment"), tategaki (縦書き, "vertical writing", also tategumi, 縦組み), or serosseugi (세로쓰기) or jongseo (종서; 縱書).
Traditionally, Chinese, Japanese, and Korean are written vertically in columns going from top to bottom and ordered from right to left, with each new column starting to the left of the preceding one. The stroke order and stroke direction of Chinese characters (hanzi in Chinese, kanji in Japanese, hanja in Korean), Japanese kana, and Korean Hangul all facilitate writing in this manner. In addition, writing in vertical columns from right to left facilitated writing with a brush in the right hand while continually unrolling the sheet of paper or scroll with the left. In modern times, it has become increasingly common for these languages to be written horizontally, from left to right, with successive rows going from top to bottom, under the influence of European languages such as English, although vertical writing is still used in Japan, Taiwan, Hong Kong and Macau frequently.
Read more about Horizontal And Vertical Writing In East Asian Scripts: Differences Between Horizontal and Vertical Writing, Vertical Writing and Computers, Vertical Text and Layout On World Wide Web
Famous quotes containing the words horizontal, vertical, writing, east and/or asian:
“Thir dread commander: he above the rest
In shape and gesture proudly eminent
Stood like a Towr; his form had yet not lost
All her Original brightness, nor appeard
Less than Arch Angel ruind, and th excess
Of Glory obscurd: As when the Sun new risn
Looks through the Horizontal misty Air
Shorn of his Beams, or from behind the Moon
In dim Eclips disastrous twilight sheds
On half the Nations, and with fear of change
Perplexes Monarchs.”
—John Milton (16081674)
“I tell you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to Gods throne in loud access
Of shrieking and reproach. Full desertness,
In souls as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens.”
—Elizabeth Barrett Browning (18061861)
“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
—Elie Wiesel (b. 1928)
“The current of our thoughts made as sudden bends as the river, which was continually opening new prospects to the east or south, but we are aware that rivers flow most rapidly and shallowest at these points.”
—Henry David Thoreau (18171862)
“Exploitation and oppression is not a matter of race. It is the system, the apparatus of world-wide brigandage called imperialism, which made the Powers behave the way they did. I have no illusions on this score, nor do I believe that any Asian nation or African nation, in the same state of dominance, and with the same system of colonial profit-amassing and plunder, would have behaved otherwise.”
—Han Suyin (b. 1917)