Horizontal And Vertical Writing In East Asian Scripts
Many East Asian scripts can be written horizontally or vertically. The Chinese, Japanese and Korean scripts can be oriented in either direction, as they consist mainly of disconnected syllabic units, each occupying a square block of space. On the other hand the traditional Mongolian script and its offshoots (like Manchu) are written vertically.
Horizontal writing is known in Chinese as hengpai (simplified Chinese: 横排; traditional Chinese: 橫排; pinyin: héngpái; literally "horizontal alignment"), in Japanese as yokogaki (横書き, "horizontal writing", also yokogumi, 横組み), and in Korean as garosseugi (가로쓰기) or hoengseo (횡서; 橫書).
Vertical writing is known respectively as zongpai (simplified Chinese: 纵排; traditional Chinese: 縱排; pinyin: zòngpái; literally "vertical alignment"), tategaki (縦書き, "vertical writing", also tategumi, 縦組み), or serosseugi (세로쓰기) or jongseo (종서; 縱書).
Traditionally, Chinese, Japanese, and Korean are written vertically in columns going from top to bottom and ordered from right to left, with each new column starting to the left of the preceding one. The stroke order and stroke direction of Chinese characters (hanzi in Chinese, kanji in Japanese, hanja in Korean), Japanese kana, and Korean Hangul all facilitate writing in this manner. In addition, writing in vertical columns from right to left facilitated writing with a brush in the right hand while continually unrolling the sheet of paper or scroll with the left. In modern times, it has become increasingly common for these languages to be written horizontally, from left to right, with successive rows going from top to bottom, under the influence of European languages such as English, although vertical writing is still used in Japan, Taiwan, Hong Kong and Macau frequently.
Read more about Horizontal And Vertical Writing In East Asian Scripts: Differences Between Horizontal and Vertical Writing, Vertical Writing and Computers, Vertical Text and Layout On World Wide Web
Famous quotes containing the words horizontal, vertical, writing, east and/or asian:
“True. There is
a beautiful Jesus.
He is frozen to his bones like a chunk of beef.
How desperately he wanted to pull his arms in!
How desperately I touch his vertical and horizontal axes!
But I can’t. Need is not quite belief.”
—Anne Sexton (1928–1974)
“I tell you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God’s throne in loud access
Of shrieking and reproach. Full desertness,
In souls as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens.”
—Elizabeth Barrett Browning (1806–1861)
“A song is no song unless the circumstance is free and fine. If a singer sing from a sense of duty or from seeing no way to escape, I had rather have none. Those only can sleep who do not care to sleep; and those only write or speak best who do not too much respect the writing or the speaking.”
—Ralph Waldo Emerson (1803–1882)
“It is the business of thought to define things, to find the boundaries; thought, indeed, is a ceaseless process of definition. It is the business of Art to give things shape. Anyone who takes no delight in the firm outline of an object, or in its essential character, has no artistic sense.... He cannot even be nourished by Art. Like Ephraim, he feeds upon the East wind, which has no boundaries.”
—Vance Palmer (1885–1959)
“We are not about to send American boys 9 or 10,000 miles away from home to do what Asian boys ought to be doing for themselves.”
—Lyndon Baines Johnson (1908–1973)