Movies
- Himitsu Sentai Gorenger: The Movie (秘密戦隊ゴレンジャー, Himitsu Sentai Gorenjā?) (Movie version of Episode 6)
- Himitsu Sentai Gorenger: The Blue Fortress (秘密戦隊ゴレンジャー 青い大要塞, Himitsu Sentai Gorenjā: Aoi Daiyōsai?) (Movie version of Episode 15)
- Himitsu Sentai Gorenger: The Red Death Match (秘密戦隊ゴレンジャー 真赤な猛進撃!, Himitsu Sentai Gorenjā: Makka na Mōshingeki!?) (Movie version of Episode 36)
- Himitsu Sentai Gorenger: Fire Mountain's Final Explosion (秘密戦隊ゴレンジャー 火の山最後の大噴火, Himitsu Sentai Gorenjā: Hi no Yama Saigo no Daifunka?) (Movie version of Episode 54)
- Himitsu Sentai Gorenger: The Bomb Hurricane (秘密戦隊ゴレンジャー 爆弾ハリケーン!, Himitsu Sentai Gorenjā: Bakudan Harikēn!?)
- J.A.K.Q. Dengekitai vs. Gorenger (ジャッカー電撃隊VSゴレンジャー, Jakkā Dengekitai tai Gorenjā?)
Read more about this topic: Himitsu Sentai Gorenger
Famous quotes containing the word movies:
“I asked her if she wanted to go to the movies that night. She laughed again and told me that she felt like seeing a Fernandel movie. When we got dressed, she seemed very surprised to see me wearing a black tie and asked me if I was in mourning. I told her that my mother was dead. Since she asked me since when, I answered, Since yesterday.”
—Albert Camus (19131960)
“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
—David Mamet (b. 1947)
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (191662)