Life
After graduating, Lichtenfeld moved into the Federal Republic, and there worked as a reporter on several newspapers. In the 1960s he became the television correspondent for Hörzu magazine. At this time he started to write radio plays and books. From 1968 he worked full-time as a screenplay writer. His first television film Deutschlandreise (German Journey) (1970, co-production between NDR og NRK) was co-written with Adolf Grimme-Preis.
A little later he began a partnership with the then still unknown director Wolfgang Petersen. Together they developed a series of detective TV movies called Kriminalreihe (Crime Scene). These achieved ratings of over seventy per cent. The high point of this series was School Leaving Certificate (1974) with Nastassja Kinski and Christian Quadflieg, about a relationship between a teacher and a pupil.
While Wolfgang Petersen moved to the cinema and today works successfully in Hollywood, Lichtenfeld remained a writer for television. Besides writing further Kriminalreihe scripts he wrote for other crime film series such as Der Alte (The old man).
Also outside of the crime film genre he wrote numerous books, radio plays, television films and television series. Lichtenfeld's film scripts were always complex, with very precise dialogue, often not without a shot of irony.
Read more about this topic: Herbert Lichtenfeld
Famous quotes containing the word life:
“We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images. . . . Even at the end of the second year of life when word tags exist for a number of objects in the childs life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory.”
—Selma H. Fraiberg (20th century)
“The wind sprang up at four oclock
The wind sprang up and broke the bells
Swinging between life and death”
—T.S. (Thomas Stearns)
“The nature of womens oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their childrenwe are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us.”
—Andrea Dworkin (b. 1946)