Works
One of his earliest papers (Recherches anatomiques sur les crustacés), which was presented to the French Academy of Sciences in 1829, formed the theme of an elaborate and eulogistic report by Cuvier in the following year. It embodied the results of two dredging expeditions undertaken by him and his friend Audouin during 1826 and 1828 in the neighbourhood of Granville, and was remarkable for clearly distinguishing the marine fauna of that portion of the French coast into four zones.
He became professor of hygiene and natural history in 1832 at the Collège Central des Arts et Manufactures. In 1841, after the death of Audouin, he succeeded him at the chair of entomology at the Muséum National d'Histoire Naturelle. In 1862 he succeeded Isidore Geoffroy Saint-Hilaire in the long-vacant chair of zoology.
Much of his original work was published in the Annales des sciences naturelles, with the editorship of which he was associated from 1834. Of his books may be mentioned the Histoire naturelle des Crustacés (3 vols., 1837–1841), which long remained a standard work; Histoire naturelle des coralliaires, published in 1858-1860, but begun many years before; Leçons sur la physiologie et l'anatomie comparée de l'homme et des animaux (1857–1881), in 14 volumes; and a little work on the elements of zoology, originally published in 1834, but subsequently remodelled, which enjoyed an enormous circulation.
In 1842, he was elected a foreign member of the Royal Society. The Royal Society in 1856 awarded him the Copley Medal in recognition of his zoological investigations. He died in Paris. His son, Alphonse Milne-Edwards (1835–1900), who became professor of ornithology at the museum in 1876, devoted himself especially to fossil birds and deep-sea exploration.
Read more about this topic: Henri Milne-Edwards
Famous quotes containing the word works:
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
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“I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
From the earth-poles to the line, All between that works or grows,
Every thing is kin of mine.”
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“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
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