Early Life
Del Toro was born in Guadalajara, Jalisco, Mexico. He was raised in a strict Catholic household. Del Toro studied at the Centro de Investigación y Estudios Cinematográficos, in Guadalajara. He first got involved in filmmaking when he was eight years old and studied special effects and make-up with special effects artist Dick Smith. Del Toro participated in the cult series La Hora Marcada with other renowned Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.
He spent ten years as a special effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later on in his directing career, he formed his own production company, the Tequila Gang.
In 1997, at the age of 34, Guillermo was given a $30 million budget from Miramax Films to shoot his second film, Mimic. During this time, his father, automotive entrepreneur Federico del Toro, was kidnapped in Guadalajara. Although Federico was eventually released safely, there was intense economic pressure from his captors, to the point that del Toro's family had to pay twice the amount originally asked. The event prompted del Toro, his parents and his siblings to move abroad. In an interview with Time magazine, he said this about the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile ."
Read more about this topic: Guillermo Del Toro
Famous quotes containing the words early and/or life:
“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose its an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”
—Eudora Welty (b. 1909)
“... life is moral responsibility. Life is several other things, we do not deny. It is beauty, it is joy, it is tragedy, it is comedy, it is psychical and physical pleasure, it is the interplay of a thousand rude or delicate motions and emotions, it is the grimmest and the merriest motley of phantasmagoria that could appeal to the gravest or the maddest brush ever put to palette; but it is steadily and sturdily and always moral responsibility.”
—Elizabeth Stuart Phelps (18441911)