Significance of The Colour Green
In English folklore and literature, green has traditionally been used to symbolize nature and its embodied attributes, namely those of fertility and rebirth. Oftentimes it is used to embody the supernatural or spiritual other world. In British folklore, the devil was sometimes toned green which may or may not play into the concept of the Green Man/ Wild Man dichotomy of the Green Knight. Stories of the medieval period also portray the colour as representing love and the amorous in life, and the base, natural desires of man. Green is also known to have signified witchcraft, devilry and evil for its association with the fairys and spirits of early English folklore and for its association with decay and toxicity. The colour, when combined with gold, is sometimes seen as representing the fading of youth. In the Celtic tradition, green was avoided in clothing for its superstitious association with misfortune and death. Green can be seen in Sir Gawain and the Green Knight as signifying a transformation from good to evil and back again; displaying both the spoiling and regenerative connotations of the colour. Given these varied and even contradictory interpretations of the colour green, its precise meaning in the poem remains ambiguous.
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“For a parent, it’s hard to recognize the significance of your work when you’re immersed in the mundane details. Few of us, as we run the bath water or spread the peanut butter on the bread, proclaim proudly, “I’m making my contribution to the future of the planet.” But with the exception of global hunger, few jobs in the world of paychecks and promotions compare in significance to the job of parent.”
—Joyce Maynard (20th century)
“What a lovely thing a rose is!... Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But the rose is an extra. Its smell and its colour are an embellishment of life, not a condition of it. It is only goodness which gives extras.”
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“Hast thou not dragged Diana from her car,
And driven the hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the naiad from her flood,
The elfin from the green grass, and from me
The summer dream beneath the tamarind tree?”
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