The Grammy Award for Best Gospel/Contemporary Christian Music Performance is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. According to the 54th Grammy Awards description guide it is designed for solo, duo/groups or collaborative (vocal or instrumental) gospel or Contemporary Christian music (CCM) and its subgenres' recordings and is limited to singles or tracks only.
This award was first handed out in 1968 under the name of Best Gospel Performance and was intended for albums only.
In 1971 the award was renamed to Best Gospel Performance (other than soul gospel), including both singles and albums, and ran until 1978 when the award was divided into two new awards, the Grammy Awards for Best Gospel Performance, Traditional and Best Gospel Performance, Contemporary.
The category was then revived in 2005 and it was known once again under the name of Best Gospel Performance. As of 2012, following a major overhaul of the Grammy categories, this award will be renamed as Best Gospel/Contemporary Christian Music Performance which will be eligible for all sub-genres in the gospel/Contemporary Christian Music (CCM) field.
The Blackwood Brothers hold the record for most awards in this category with four wins, two of them alongside Porter Wagoner. They also hold the record for most nominations, with seven. Two-time winners include Porter Wagoner, The Oak Ridge Boys, Karen Clark Sheard and CeCe Winans.
Read more about Grammy Award For Best Gospel/Contemporary Christian Music Performance: Recipients
Famous quotes containing the words award, gospel, contemporary, christian, music and/or performance:
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—Robert Graves (1895–1985)
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—Administration in the State of Colo, U.S. public relief program (1935-1943)
“Generally there is no consistent evidence of significant differences in school achievement between children of working and nonworking mothers, but differences that do appear are often related to maternal satisfaction with her chosen role, and the quality of substitute care.”
—Ruth E. Zambrana, U.S. researcher, M. Hurst, and R.L. Hite. “The Working Mother in Contemporary Perspectives: A Review of Literature,” Pediatrics (December 1979)
“I never went near the Wellesley College chapel in my four years there, but I am still amazed at the amount of Christian charity that school stuck us all with, a kind of glazed politeness in the face of boredom and stupidity. Tolerance, in the worst sense of the word.... How marvelous it would have been to go to a women’s college that encouraged impoliteness, that rewarded aggression, that encouraged argument.”
—Nora Ephron (b. 1941)
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—Laurence Sterne (1713–1768)
“Still be kind,
And eke out our performance with your mind.”
—William Shakespeare (1564–1616)