History
One event cited for the beginning of the Golden Age was the 1938 debut of Superman in Action Comics #1, published by a predecessor of modern-day DC Comics. Superman's creation made comic books into a major industry. Some date the start to earlier events in the 1930s: The Overstreet Comic Book Price Guide's regular publication The Golden Age Quarterly lists comic books from 1933 onwards (1933 saw the publication of the first comic book in the size that would subsequently define the format); some historians, including Roger Sabin (in Comics, Comix and Graphic Novels: a History of Comic Art), date it to the publication of the first comic books featuring entirely original stories rather than re-prints of comic strips from newspapers (1935), by the company that would become DC Comics. However, Superman, the first comic book superhero, was so popular that superheroes soon dominated the pages of comic books, which characterized the Golden Age. Between early 1939 and late 1941, DC and sister company All-American Publications introduced such popular superheroes as Batman and Robin, Wonder Woman, The Flash, Green Lantern, the Atom, Hawkman, and Aquaman, while Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles that featured the Human Torch, the Sub-Mariner, and Captain America.
Although DC and Timely (which evolved to become Marvel Comics) characters are more famous today, circulation figures suggest that the best-selling superhero title of the era may have been Fawcett Comics' Captain Marvel, whose approximately 1.4 million copies per issue made it "the most widely circulated comic book in America." Captain Marvel's sales soundly trounced Superman's self-titled series and Action Comics alike, and the comic at one point was issued biweekly to capitalize upon that popular interest.
Other popular and long-running characters included Quality Comics' Plastic Man, and cartoonist Will Eisner's non-superpowered masked detective the Spirit, originally published as a syndicated Sunday-newspaper insert in a quasi-comic book format.
World War II had a significant impact on comics, as reflected in the war-themed subject matter of the time. Comic books, particularly superhero comics, gained immense popularity during the war as cheap, portable, easily read tales of good triumphing over evil. American comic book companies showcased their heroes battling the Axis Powers: covers featuring superheroes punching Nazi leader Adolf Hitler, such as Captain America #1 by Timely comics in 1941, or fighting buck-toothed caricatures of Japanese soldiers have become relics of the age.
Although the creation of the superhero was the Golden Age's most significant contribution to pop culture, many genres appeared on the newsstands, including humor, Western, romance, and jungle stories. The Steranko History of Comics 2 notes that it was the non-superhero characters of Dell Comics — most notably the licensed Walt Disney animated character comics — that outsold all the supermen of the day. Dell Comics, featuring such licensed movie and literary properties as Mickey Mouse, Donald Duck, Roy Rogers, and Tarzan, boasted circulations of over two million copies a month, and Donald Duck writer-artist Carl Barks is considered one of the era's major talents.
Read more about this topic: Golden Age Of Comic Books
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“There is no history of how bad became better.”
—Henry David Thoreau (1817–1862)
“In history the great moment is, when the savage is just ceasing to be a savage, with all his hairy Pelasgic strength directed on his opening sense of beauty;—and you have Pericles and Phidias,—and not yet passed over into the Corinthian civility. Everything good in nature and in the world is in that moment of transition, when the swarthy juices still flow plentifully from nature, but their astrigency or acridity is got out by ethics and humanity.”
—Ralph Waldo Emerson (1803–1882)
“They are a sort of post-house,where the Fates
Change horses, making history change its tune,
Then spur away o’er empires and o’er states,
Leaving at last not much besides chronology,
Excepting the post-obits of theology.”
—George Gordon Noel Byron (1788–1824)