Writing
The earliest evidence of Germanic languages comes from names recorded in the 1st century by Tacitus (especially from his work Germania), but the earliest Germanic writing occurs in a single instance in the 2nd century BC on the Negau helmet. From roughly the 2nd century AD, certain speakers of early Germanic varieties developed the Elder Futhark, an early form of the Runic alphabet. Early runic inscriptions also are largely limited to personal names, and difficult to interpret. The Gothic language was written in the Gothic alphabet developed by Bishop Ulfilas for his translation of the Bible in the 4th century. Later, Christian priests and monks who spoke and read Latin in addition to their native Germanic varieties began writing the Germanic languages with slightly modified Latin letters. However, throughout the Viking Age, Runic alphabets remained in common use in Scandinavia.
In addition to the standard Latin script, many Germanic languages use a variety of accent marks and extra letters, including umlauts, the ß (Eszett), IJ, Ø, Æ, Å, Ä, Ü, Ö, Ð, Ȝ, and the Latinized runes Þ and Ƿ (with its Latin counterpart W). In print, German used to be prevalently set in blackletter typefaces (e.g. fraktur or schwabacher) until the 1940s, whereas Kurrent and since the early 20th century Sütterlin was used for German handwriting.
Read more about this topic: Germanic Languages
Famous quotes containing the word writing:
“I’ve tried to reduce profanity but I reduced so much profanity when writing the book that I’m afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.”
—Ernest Hemingway (1899–1961)
“All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens.”
—Ernest Hemingway (1899–1961)
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (1885–1972)