Generations In Jazz is an annual weekend Jazz Festival held in Mount Gambier, Australia.
It is held in May and brings together many of Australia’s most talented young jazz musicians to participate in and compete for the 'James Morrison Scholarship', 'Generations in Jazz Vocal Scholarship', the 'City of Mount Gambier National Big Band Awards' and the 'Generations in Jazz Vocal Scholarship'. The weekend in May provides an environment for young musicians to perform and learn in a relaxed atmosphere, share fellowship with their peers, and the opportunity to hear professionals like James Morrison, Daryl Somers, Ross Irwin, James Muller and Graeme Lyall perform. Many schools make this an annual event with many school, community and combined high school bands traveling great distances from all over the country.
Read more about Generations In Jazz: History, James Morrison Jazz Scholarship, Generations in Jazz Vocal Scholarship, City of Mt.Gambier National Big Bands, Results and History, The Generations in Jazz Academy
Famous quotes containing the words generations in, generations and/or jazz:
“Everywhere we are told that our human resources are all to be used, that our civilization itself means the uses of everything it has—the inventions, the histories, every scrap of fact. But there is one kind of knowledge—infinitely precious, time- resistant more than monuments, here to be passed between the generations in any way it may be: never to be used. And that is poetry.”
—Muriel Rukeyser (1913–1980)
“Why should the generations overlap one another at all? Why cannot we be buried as eggs in neat little cells with ten or twenty thousand pounds each wrapped round us in Bank of England notes, and wake up, as the Sphinx wasp does, to find that its papa and mamma have not only left ample provision at its elbow but have been eaten by sparrows some weeks before we began to live consciously on our own accounts?”
—Samuel Butler (1835–1902)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)