Literary Significance and Criticism
Although no murder occurs in Gaudy Night, it is not without a great deal of suspense and psychological thrills. The narrative is interwoven with a love story and an examination of women's struggles to enlarge their roles and achieve some independence within the social climate of 1930s England, and the novel has been described as "the first feminist mystery novel."
"Gaudy Night is a remarkable achievement. Harriet Vane and Saint-George, the undergraduate nephew of Lord Peter, help give variety, and the college setting justifies good intellectual debate. The motive is magnificently orated on by the culprit in a scene that is a striking set-piece. And though the Shrewsbury dons are sometimes hard to distinguish one from another, the College architecture is very good. Note a reference to C. P. Snow's The Search, and sound views on counterpoint versus harmony."
Gaudy Night deals with a number of philosophical themes, such as the right relation between love and independence or between principles and personal loyalties. Susan Haack has an essay on Gaudy Night as a philosophical novel.
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“Criticism occupies the lowest place in the literary hierarchy: as regards form, almost always; and as regards moral value, incontestably. It comes after rhyming games and acrostics, which at least require a certain inventiveness.”
—Gustave Flaubert (1821–1880)
“I am not afraid that I shall exaggerate the value and significance of life, but that I shall not be up to the occasion which it is.”
—Henry David Thoreau (1817–1862)
“It is the will of God that we must have critics, and missionaries, and Congressmen, and humorists, and we must bear the burden. Meantime, I seem to have been drifting into criticism myself. But that is nothing. At the worst, criticism is nothing more than a crime, and I am not unused to that.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)