History
In the middle of the 18th century Hans Jacob Scheel, then owner of the Frogner Manor, laid out a baroque garden adjacent to his new manor house. It was expanded by the people who followed him, starting with Bernt Anker (1746–1805) who bought Frogner in 1790 and expanded the main building. Benjamin Wegner took over the property in 1836 and he transformed the garden into a romantic park around 1840. Later, most of the arable land was sold to private developers.
Around one square kilometer remained when the City of Oslo bought the property in 1896 to secure space for further urban development. The municipal government decided around 1900 to make a park for recreation and sports. Frogner Stadium was opened near the road and the area near the buildings was opened to the public in 1904. Norwegian architect Henrik Bull designed the grounds and some of the buildings erected in in the Frogner Park for the 1914 Jubilee Exhibition.
The municipal government subsequently decided that Gustav Vigeland's fountain and all his monuments and statues should be placed in the park. The area was ready for Gustav Vigeland fountain in 1924 and the final plan was released in 1932 by the city-council. Most of the statues depict people engaging in various typically human pursuits, such as running, wrestling, dancing, hugging, holding hands and so on. However, Vigeland occasionally included some statues that are more abstract, including one statue, which shows an adult male, fighting off a horde of babies.
Read more about this topic: Frogner Park
Famous quotes containing the word history:
“To a surprising extent the war-lords in shining armour, the apostles of the martial virtues, tend not to die fighting when the time comes. History is full of ignominious getaways by the great and famous.”
—George Orwell (19031950)
“I believe my ardour for invention springs from his loins. I cant say that the brassiere will ever take as great a place in history as the steamboat, but I did invent it.”
—Caresse Crosby (18921970)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)