The Creator of The Flower Fairies
Flower Fairies are the product of English illustrator Cicely Mary Barker. Unable to go to school as a child because of her epilepsy, she was home-schooled and spent much of her time drawing and painting. Her artwork was influenced by illustrator Kate Greenaway and even more so by the Pre-Raphaelite Brotherhood, and she developed her talent as a member of the Croydon Art Society. Her flower fairy paintings, in particular, were driven by the Victorian popularity of fairies and fairy stories.
Cicely Mary Barker published her first Flower Fairies book in 1923; she received £25 for Flower Fairies of the Spring, a collection of twenty-four paintings and illustrations. The books enjoyed huge popularity due to Queen Mary’s well-known interest in fairy art. She later published seven more volumes of Flower Fairies. Following the publication of Cicely Mary Barker’s original Flower Fairy paintings and verses, two series of fairy stories featuring original Flower Fairies characters, Flower Fairies Friends and, more recently, Secret Stories, have also been published. The Flower Fairies were Cicely Mary Barker’s most well-known creations. They are notable in particular because of the sweet, realistic depiction of the children, modeled on children enrolled in her sister Dorothy’s kindergarten. She has also been likened to Beatrix Potter in the botanical accuracy of the plants and flowers amidst which the fairies dwell. The Flower Fairies and all related publications are licensed properties of Frederick Warne & Co and the Estate of Cicely Mary Barker.
Read more about this topic: Flower Fairies
Famous quotes containing the words creator, flower and/or fairies:
“I became, and remain, my characters’ close and intent watcher: their director, never. Their creator I cannot feel that I was, or am.”
—Elizabeth Bowen (1899–1973)
“War is a most uneconomical, foolish, poor arrangement, a bloody enrichment of that soil which bears the sweet flower of peace ...”
—M. E. W. Sherwood (1826–1903)
“Slowly ... the truth is dawning upon women, and still more slowly upon men, that woman is no stepchild of nature, no Cinderella of fate to be dowered only by fairies and the Prince; but that for her and in her, as truly as for and in man, life has wrought its great experiences, its master attainments, its supreme human revelations of the stuff of which worlds are made.”
—Anna Garlin Spencer (1851–1931)