Art or Museum Exhibition Catalogues
Catalogues for art or museum exhibitions may range in scale from a single printed sheet to a lavish hardcover "coffee table book". The advent of cheap colour-printing in the 1960s transformed what had usually been simple "handlists" with several works to each page into large scale "descriptive catalogues" that are intended as both contributions to scholarship and books likely to appeal to many general readers. The catalogues for exhibitions held at a museum are now often far more detailed than the catalogues of their permanent collections.
In the early 21st century, exhibitions that gather items from other institutions (museums, galleries, libraries, etc.) and that are elaborately publicized very often have catalogues in the form of substantial books.
Read more about this topic: Exhibition Catalogue
Famous quotes containing the words art, museum, exhibition and/or catalogues:
“Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.”
—Angela Carter (1940–1992)
“A fine-looking mill, but no machinery inside.”
—Hawaiian saying no. 1702, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“The hardiest skeptic who has seen a horse broken, a pointer trained, or has visited a menagerie or the exhibition of the Industrious Fleas, will not deny the validity of education. “A boy,” says Plato, “is the most vicious of all beasts;” and in the same spirit the old English poet Gascoigne says, “A boy is better unborn than untaught.””
—Ralph Waldo Emerson (1803–1882)
“It is, in both cases, that a spiritual life has been imparted to nature; that the solid seeming block of matter has been pervaded and dissolved by a thought; that this feeble human being has penetrated the vast masses of nature with an informing soul, and recognised itself in their harmony, that is, seized their law. In physics, when this is attained, the memory disburthens itself of its cumbrous catalogues of particulars, and carries centuries of observation in a single formula.”
—Ralph Waldo Emerson (1803–1882)