Recording
Evolution and its respective singles were recorded in just six days time over the course of three months in early 1967 at the same time the Beatles were recording Sgt. Pepper's Lonely Hearts Club Band at the same studio. The first session occurred on 11 January where "When Your Lights Turned On", "Have You Ever Loved Somebody" and the B-side "All the World is Love" were completed. Work began on but was not completed for the eventual single "On a Carousel". That song was completed during the next session on 13 January along with the album track, "Lullaby to Tim". Two songs sung in Italian, "Non Prego Per Me" and "Devi Avere Fiducia In Me", were also recorded on that day specifically for release as a single in Italy. The next session on 22 February was dedicated to two more songs meant specifically for release in Italy, "We're Alive" and "Kill Me Quick". "The Games We Play" as well as the Graham Gouldman-penned "Schoolgirl" were also begun during this session. The bulk of album work took place in March on the 3rd, 8th and 17th. "Schoolgirl" was attempted again on the 8th but was ultimately left unfinished for reasons unknown. The final songs recorded before the album's release in June were "Carrie Anne" on 1 May and its B-side, "Signs That Will Never Change", on the following day.
Read more about this topic: Evolution (The Hollies Album)
Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)