Esperanto Etymology

Esperanto Etymology

Esperanto vocabulary and grammatical forms derive primarily from the Romance languages, with lesser contributions from Germanic. The language occupies a middle ground between "naturalistic" constructed languages such as Interlingua, which borrow words en masse from their source languages with little internal derivation, and a priori conlangs such as Solresol, in which the words have no historical connection to other languages. In Esperanto, root words are borrowed and retain much of the form of their source language, whether the phonetic form (eks- from international ex-, vualo from French voile) or orthographic form (teamo and boato from English team and boat, soifo from French soif). However, each root can then form dozens of derivations which may bear little resemblance to equivalent words in the source languages, such as registaro (government), which is derived from the Latinate root reg (to rule) but has a morphology closer to German or Russian.

Read more about Esperanto Etymology:  Source Languages, Inflections, Technical Vocabulary, Competing Root Forms

Famous quotes containing the words esperanto and/or etymology:

    The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.
    George Steiner (b. 1929)

    Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.
    Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)