History
Modern thought surrounding human-environment relations can be traced back to Charles Darwin. Darwin’s concept of natural selection suggested that certain social characteristics played a key role in the survivability of groups in the natural environment. Although typically taken at the micro-level, evolutionary principles, particularly adaptability, serve as a microcosm of human ecology. Work by Craig Humphrey and Frederick Buttel (2002) traces the linkages between Darwin's work on natural selection, human ecological sociology, and environmental sociology.
Sociology developed as a scholarly discipline in the mid- and late-19th and early 20th centuries, in a context where biological determinism had failed to fully explain key features of social change, including the evolving relationship between humans and their natural environments. In its foundational years, classical sociology thus saw social and cultural factors as the dominant, if not exclusive, cause of social and cultural conditions. This lens down-played interactive factors in the relationship between humans and their biophysical environments.
Environmental sociology emerged as a coherent subfield of inquiry after the environmental movement of the 1960s and early 1970s. The works of William R. Catton, Jr. and Riley Dunlap, among others, challenged the constricted anthropocentrism of classical sociology. In the late 1970s, they called for a new holistic, or systems perspective. Since the 1970s, general sociology has noticeably transformed to include environmental forces in social explanations. Environmental sociology has now solidified as a respected, interdisciplinary field of study in academia.
Read more about this topic: Environmental Sociology
Famous quotes containing the word history:
“Universal history is the history of a few metaphors.”
—Jorge Luis Borges (1899–1986)
“Regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimized—the question involuntarily arises—to what principle, to what final aim these enormous sacrifices have been offered.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)