Emma Goldman - Legacy

Legacy

Goldman was well known during her life, described as—among other things—"the most dangerous woman in America". After her death and through the middle part of the 20th century, her fame faded. Scholars and historians of anarchism viewed her as a great speaker and activist, but did not regard her as a philosophical or theoretical thinker on par with, for instance, Kropotkin.

In 1970, Dover Press reissued Goldman's biography, Living My Life, and in 1972, feminist writer Alix Kates Shulman issued a collection of Goldman's writing and speeches, Red Emma Speaks. These works brought Goldman's life and writings to a larger audience, and she was in particular lionized by the women's movement of the late twentieth century. In 1973, Shulman was asked by a printer friend for a quotation by Goldman for use on a t-shirt. She sent him the selection from Living My Life about "the right to self-expression, everybody's right to beautiful, radiant things"; the printer created a paraphrase that has become one of Goldman's most famous quotations, even though she herself probably never said or wrote it: "If I can't dance I don't want to be in your revolution." Variations of this saying have appeared on thousands of t-shirts, buttons, posters, bumper stickers, coffee mugs, hats, and other items. In Living My Life, Goldman recounts being admonished for dancing, "that it did not behoove an agitator to dance." She further wrote "I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from conventions and prejudice, should demand the denial of life and joy. I insisted that our Cause could not expect me to become a nun and that the movement should not be turned into a cloister. If it meant that, I did not want it."

The women's movement of the 1970s that "rediscovered" Goldman was accompanied by a resurgent anarchist movement, beginning in the late 1960s, which also reinvigorated scholarly attention to earlier anarchists. The growth of feminism also initiated some reevaluation of Goldman's philosophical work, with scholars pointing out the significance of Goldman's contributions to anarchist thought in her time. Goldman's belief in the value of aesthetics, for example, can be seen in the later influences of anarchism and the arts. Similarly, Goldman is now given credit for significantly influencing and broadening the scope of activism on issues of sexual liberty, reproductive rights, and freedom of expression.

Goldman has been depicted in numerous works of fiction over the years, perhaps most notably by Maureen Stapleton, who won an Academy Award for her role as Goldman in Warren Beatty's 1981 film Reds. Goldman has also been a character in two Broadway musicals, Ragtime and Assassins. Plays depicting Goldman's life include Howard Zinn's play, Emma; Martin Duberman's Mother Earth (1991); Jessica Litwak's Emma Goldman: Love, Anarchy, and Other Affairs (Goldman's relationship with Berkman and her arrest in connection with McKinley's assassination); Lynn Rogoff's Love Ben, Love Emma (Goldman's relationship with Reitman); and Carol Bolt's Red Emma. Ethel Mannin's 1941 novel Red Rose is also based on Goldman's Life.

Goldman has been honored by a number of organizations named in her memory. The "Emma Goldman Clinic", a women's health center located in Iowa City, Iowa, selected Goldman as a namesake "in recognition of her challenging spirit." Red Emma's Bookstore Coffeehouse, an infoshop in Baltimore, Maryland adopted her name out of their belief "in the ideas and ideals that she fought for her entire life: free speech, sexual and racial equality and independence, the right to organize in our jobs and in our own lives, ideas and ideals that we continue to fight for, even today".

Paul Gailiunas and his late wife Helen Hill co-wrote the anarchist song "Emma Goldman", which was performed and released by the band Piggy: The Calypso Orchestra of the Maritimes in 1999. The song was later performed by Gailiunas' new band The Troublemakers and released on their 2004 album Here Come The Troublemakers.

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    What is popularly called fame is nothing but an empty name and a legacy from paganism.
    Desiderius Erasmus (c. 1466–1536)