Examples of Notable Electroacoustic Works
- Milton Babbitt – Philomel (1964)
- Luciano Berio – Thema (Omaggio a Joyce) (1958–59)
- Pierre Boulez – Répons (1981–84)
- John Cage – Imaginary Landscape No. 1 (1939)
- Mario Davidovsky —Synchronisms No. 6 (1970)
- Halim El-Dabh – Leiyla and the Poet (1961)
- Karel Goeyvaerts – Nummer 5 met zuivere tonen (1953)
- Alvin Lucier – I Am Sitting in a Room (1970)
- Steve Reich – Pendulum Music (1968), for microphones, amplifiers, speakers and performers
- Pierre Schaeffer – Cinq études de bruits (1948)
- Karlheinz Stockhausen – Gesang der Jünglinge (1955–56), Kontakte (1958–60), Mixtur (1964), Mikrophonie I & II (1964 and 1965), Telemusik (1966), Hymnen (1966–67)
- James Tenney – For Ann (rising) (1969)
- Edgard Varèse – Poème électronique (1958)
- Charles Wuorinen - Time's Encomium (1969)
Read more about this topic: Electroacoustic Music
Famous quotes containing the words examples of, examples, notable and/or works:
“Histories are more full of examples of the fidelity of dogs than of friends.”
—Alexander Pope (1688–1744)
“It is hardly to be believed how spiritual reflections when mixed with a little physics can hold people’s attention and give them a livelier idea of God than do the often ill-applied examples of his wrath.”
—G.C. (Georg Christoph)
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (1894–1963)
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)