Edwin Muir - Works

Works

  • We Moderns: Enigmas and Guesses, under the pseudonym Edward Moore, London, George Allen & Unwin, 1918
  • Latitudes, New York, B. W. Huebsch, 1924
  • First Poems, London, Hogarth Press, 1925
  • Chorus of the Newly Dead, London, Hogarth Press, 1926
  • Transition: Essays on Contemporary Literature, London, Hogarth Press, 1926
  • The Marionette, London, Hogarth Press, 1927
  • The Structure of the Novel, London, Hogarth Press, 1928
  • John Knox: Portrait of a Calvinist, London, Jonathan Cape, 1929
  • The Three Brothers, London, Heinemann, 1931
  • Poor Tom, London, J. M. Dent & Sons, 1932
  • Variations on the Time Theme, London, J. M. Dent & Sons, 1934
  • Scottish Journey London, Heinemann in association with Victor Gollancz, 1935
  • Journeys and Places, London, J. M. Dent & Sons, 1937
  • The Present Age from 1914, London, Cresset Press, 1939
  • The Story and the Fable: An Autobiography, London, Harrap, 1940
  • The Narrow Place, London, Faber, 1943
  • The Scots and Their Country, London, published for the British Council by Longman, 1946
  • The Voyage, and Other Poems, London, Faber, 1946
  • Essays on Literature and Society, London, Hogarth Press, 1949
  • The Labyrinth, London, Faber, 1949
  • Collected Poems, 1921-1951, London, Faber, 1952
  • An Autobiography, London : Hogarth Press, 1954
  • Prometheus, illustrated by John Piper, London, Faber, 1954
  • One Foot in Eden, New York, Grove Press, 1956
  • New Poets, 1959 (edited), London, Eyre & Spottiswoode, 1959
  • The Estate of Poetry, Cambridge, MA, Harvard University Press, 1962
  • Collected Poems, London and New York, Oxford University Press, 1965
  • The Politics of King Lear, New York, Haskell House, 1970

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Famous quotes containing the word works:

    We have not all had the good fortune to be ladies. We have not all been generals, or poets, or statesmen; but when the toast works down to the babies, we stand on common ground.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    Most works of art, like most wines, ought to be consumed in the district of their fabrication.
    Rebecca West (1892–1983)

    The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.
    Elizabeth Barrett Browning (1806–1861)