Poetry
Masters first published his early poems and essays under the pseudonym Dexter Wallace (after his mother's maiden name and his father's middle name) until the year 1903, when he joined the law firm of Clarence Darrow.
Masters began developing as a notable American poet in 1914, when he began a series of poems (this time under the pseudonym Webster Ford) about his childhood experiences in Western Illinois, which appeared in Reedy's Mirror, a St. Louis publication. In 1915 the series was bound into a volume and re-titled Spoon River Anthology. Years later, he wrote a memorable and invaluable account of the book’s background and genesis, his working methods and influences, as well as its reception by the critics, favorable and hostile, in an autobiographical article notable for its human warmth and general interest.
Though he never matched the success of his Spoon River Anthology, Masters was a prolific writer of diverse works. He published several other volumes of poems including Book of Verses in 1898, Songs and Sonnets in 1910, The Great Valley in 1916, Song and Satires in 1916, The Open Sea in 1921, The New Spoon River in 1924, Lee in 1926, Jack Kelso in 1928, Lichee Nuts in 1930, Gettysburg, Manila, Acoma in 1930, Godbey, sequel to Jack Kelso in 1931, The Serpent in the Wilderness in 1933, Richmond in 1934, Invisible Landscapes in 1935, The Golden Fleece of California in 1936, Poems of People in 1936, The New World in 1937, More People in 1939, Illinois Poems in 1941, and Along the Illinois in 1942.
Masters was awarded the Mark Twain Silver Medal in 1936, the Poetry Society of America medal in 1941, the Academy of American Poets Fellowship in 1942, and the Shelly Memorial Award in 1944.
Read more about this topic: Edgar Lee Masters
Famous quotes containing the word poetry:
“A story of particular facts is a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which it distorts.”
—Percy Bysshe Shelley (17921822)
“Poetry is concerned with using with abusing, with losing
with wanting, with denying with avoiding with adoring
with replacing the noun. It is doing that always
doing that, doing that and doing nothing but that.
Poetry is doing nothing but using losing refusing and
pleasing and betraying and caressing nouns. That is
what poetry does, that is what poetry has to do no
matter what kind of poetry it is. And there are a
great many kinds of poetry.”
—Gertrude Stein (18741946)
“Prose on certain occasions can bear a great deal of poetry; on the other hand, poetry sinks and swoons under a moderate weight of prose.”
—Walter Savage Landor (17751864)