Eartha Kitt - Stage Work

Stage Work

  • Blue Holiday (May 21–26, 1945) (Broadway)
  • Carib Song (September 27 - October 27, 1945) (Broadway)
  • Bal Negre (November 7 - December 22, 1946) (Broadway and European tour)
  • Time Runs (1950)
  • Dr. Faustus (1951) (Paris and European tour)
  • New Faces of 1952 (May 16, 1952 - March 28, 1953) (Broadway)
  • Mrs. Patterson (December 1, 1954 - February 26, 1955) (Broadway)
  • Shinbone Alley (April 13 - May 25, 1957) (Broadway)
  • Jolly's Progress (December 5–12, 1959) (Broadway)
  • The Owl and the Pussycat (1965–1966) (national tour)
  • The High Bid (1970) (London)
  • Bunny (1972) (London)
  • Bread and Beans and Things (Aquarius Theater, Hollywood, June 6, 1974)
  • A Musical Jubilee (1976) (national tour)
  • Timbuktu! (March 1 - September 10, 1978) (Broadway and national tour from 1979–1980)
  • New Faces of 1952 (Revival) (1982) (Off-Off-Broadway)
  • Blues in the Night (1985) (national tour)
  • Follies (1987) (London) (replacement for Dolores Gray)
  • Eartha Kitt in Concert (1989) (London)
  • Yes (1994) (One Woman Show) (Edinburgh)
  • Sam's Song (1995) (Benefit Concert) (Unitarian Church of All Souls)
  • Lady Day at Emerson's Bar and Grill (1996) (Chicago)
  • The Wizard of Oz (1998) (national tour)
  • The Wild Party (April 13 - June 11, 2000) (Broadway)
  • Cinderella (2001) (Madison Square Garden)
  • Nine (replacement for Chita Rivera from October 5 - December 14, 2003) (Broadway)
  • Mimi le Duck (2006) (Off Broadway)
  • All About Us (April 10–28, 2007) (Westport Country Playhouse)

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Famous quotes containing the words stage and/or work:

    “These have been wonderful years. How many happy, happy times we have traveled about together! Day and night, in stage coaches, on freight trains, over the mountains and across the prairies, hungry and tired, we have wandered. The work was sometimes hard and discouraging but those were happy and useful years.”
    —Susan B. Anthony (1820–1906)

    “But it isn’t only the terror everywhere, and the fear of being conscious of it, that freezes people. It’s more than that. People know they are in a society dead or dying. They are refusing emotion because at the end of very emotion are property, money, power. They work and despise their work, and so freeze themselves. They love but know that it’s a half- love or a twisted love, and so they freeze themselves.”
    —Doris Lessing (b. 1919)