Fight Scenes and Martial Arts
A number of notable fights are featured in the film, almost all of them with strong elements of comedy - from the game of Keep Away with Wong Kei-ying's cocky, but incompetent, assistant kung fu instructor, to the novel "head-fu" fighting style used by one of his opponents. The film features the Hung Ga system of fighting, which was historically practiced by Wong Fei-hung and his father Wong Kei-ying, both of whom are major characters in the film. The animal styles of Snake, Crane, and Tiger performed in the film are derived wholly from the Hung Ga system and bear only a tangential relationship to the Fujian White Crane, Lama Pai (Tibetan White Crane), Black Tiger, and Snake systems of kung fu. Monkey style kung fu, popular in Southern Chinese martial arts performances, is also shown briefly.
Numerous systems of kung fu include "Drunken Boxing" forms (e.g. Choi Lei Fut and Drunken Monkey), and the Taoist Eight Immortals are popular staples of Chinese culture and art. However, the "Eight Drunken Immortals" forms depicted in this film are likely the creation of director and choreographer Yuen Woo-ping and based on routines found in other systems.
The primary villain in Drunken Master is played by Hwang Jang Lee, a Korean martial artist specialising in Taekwondo and known for his high-flying kicks, which are prominently displayed in the film. The systems of "Devil's Kick" and "Devil's Shadowless Hands" employed by Thunderleg are entirely fictitious.
Read more about this topic: Drunken Master
Famous quotes containing the words fight, scenes, martial and/or arts:
“In a battle all you need to make you fight is a little hot blood and the knowledge that it’s more dangerous to lose than to win.”
—George Bernard Shaw (1856–1950)
“A shadow has fallen upon the scenes so lately lighted by the Allied victory.... From Stettin in the Baltic to Trieste in the Adriatic, an iron curtain has descended across the Continent.”
—Winston Churchill (1874–1965)
“Strike the concertina’s melancholy string!
Blow the spirit-stirring harp like any thing!
Let the piano’s martial blast
Rouse the Echoes of the Past,”
—Sir William Schwenck Gilbert (1836–1911)
“One man cannot practice many arts with success.”
—Plato (c. 427–347 B.C.)