Drum Major - History

History

The position of drum major originated in the British Army with Corps of Drums in 1650. Military groups performed mostly duty calls and battle signals during that period, and a fife and drum corps, directed by the drum major, would use short pieces to communicate to field units. With the arrival of military concert bands and pipe bands around the 18th century, the position of the drum major was adapted to those ensembles.

Traditionally, a military drum major was responsible for:

  • Defending the drummers and bandsmen (The drums and bugles were communication devices)
  • Military discipline of all Corps of Drums members
  • The Corps of Drums' overall standards of dress and deportment
  • Corps of Drums administrative work
  • Maintain the Corps of Drums' standard of military drill and choreograph marching movements

The drum major was also given duties in the battalion at several points in history, which included the administering of military justice (flogging), to any member of the battalion and collecting the battalion's post.

In addition to the duties above, the British Army also included a royal appointment of Drum Major General, whose duties included inspecting all other Field Music as well as (per The Drummer's Handbook) granting drummers licenses without which, one would not be recognized as a drummer. This position faded in the 18th century.

Read more about this topic:  Drum Major

Famous quotes containing the word history:

    The history of our era is the nauseating and repulsive history of the crucifixion of the procreative body for the glorification of the spirit.
    —D.H. (David Herbert)

    When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.
    Adrienne Rich (b. 1929)

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)