Broadway
In April, 1968, McKechnie was back on Broadway in the short-lived musical version of Leo Rosten's collection of short stories The Education of H*Y*M*A*N K*A*P*L*A*N, which led to a featured role in Burt Bacharach and Hal David's Promises, Promises, choreographed by Bennett. Along with Baayork Lee and Margo Sappington, she danced in one of Broadway's most famous numbers, Turkey Lurkey Time. It was here that she first attracted notice from critics and theatergoers alike. This was followed by a role in the touring company of Call Me Madam, starring Ethel Merman.
Bennett showcased McKechnie again in Stephen Sondheim's Company (1970), where she danced Tick-Tock. After leaving the Broadway cast, she reprised her role in the Los Angeles and London companies, and also toured in the 1971 revival of On the Town (as Ivy). In March 1973, she choreographed and performed in the highly acclaimed one-night-only concert Sondheim: A Musical Tribute at the Shubert Theatre in New York. In 1974, she co-starred with Richard Kiley and Bob Fosse in the unsuccessful musical film version of the classic The Little Prince.
McKechnie was part of Bennett's group therapy-style workshops that evolved into the Broadway smash A Chorus Line, in which she portrayed Cassie, a character based in great part on herself. She danced her third famous Bennett-McKechnie number, The Music and the Mirror, in which the vocal sections were tailored to her unusually large range. Initially, Donna was to perform the number with four of her male co-stars but after four previews before opening, McKechnie voiced concern about dancing around the four guys and at the last moment, Bennett changed the direction to have McKechnie perform the song-dance number alone. Her performance earned her the Tony Award for Best Actress in a Musical. The role of Maggie was also based on her life. She married Bennett in 1976, but after only a few months they separated and eventually divorced, remaining good friends until his death from AIDS in 1987.
In 1980, McKechnie was diagnosed with arthritis and told she never would dance again. She pursued various physical, psychological, and holistic healing remedies, and was well enough to return to the Broadway company of A Chorus Line in 1986. During the remainder of the 1980s she also toured in Sweet Charity and Annie Get Your Gun, and she appeared in a London revival of Can-Can. She also participated in the "Chorus Line" extravaganza to celebrate its then record-breaking run on Broadway in September 1983.
Read more about this topic: Donna McKechnie
Famous quotes containing the word broadway:
“The name of the town isn’t important. It’s the one that’s just twenty-eight minutes from the big city. Twenty-three if you catch the morning express. It’s on a river and it’s got houses and stores and churches. And a main street. Nothing fancy like Broadway or Market, just plain Broadway. Drug, dry good, shoes. Those horrible little chain stores that breed like rabbits.”
—Joseph L. Mankiewicz (1909–1993)
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (1894–1961)
“Too many Broadway actors in motion pictures lost their grip on success—had a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.”
—Mae West (1892–1980)