Music
The music is a brilliant, youthful work, free of the influence of Bizet’s teacher Charles Gounod; it is a vital and sparkling imitation of Don Pasquale. The familiar idiom is infused with original touches of harmony, orchestration and melodic turn. The ensembles are particularly successful in using all the stock devices of opera buffa: voices in thirds, staccato chord accompanying and repetition of words. Ernesto’s "Non v’e signor" is an exact parallel of Malatesta's "Bella siccome un angelo" – in both, the baritone describes his sister's charms to the old man, in D flat.
Bizet used several episodes in later works:
- a 2/4 section in the first finale – the Carnival Chorus in Act II of La jolie fille de Perth
- the chorus “Cheti piano!” – “Chante, chante encore” in Act I of Les pêcheurs de perles
- “Sulle piume” – Smith’s serenade in La jolie fille de Perth
while the March in Act I is taken from the finale of his Symphony in C of 1855.
Read more about this topic: Don Procopio
Famous quotes containing the word music:
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
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