Structure
The structure of a DHT can be decomposed into several main components. The foundation is an abstract keyspace, such as the set of 160-bit strings. A keyspace partitioning scheme splits ownership of this keyspace among the participating nodes. An overlay network then connects the nodes, allowing them to find the owner of any given key in the keyspace.
Once these components are in place, a typical use of the DHT for storage and retrieval might proceed as follows. Suppose the keyspace is the set of 160-bit strings. To store a file with given and in the DHT, the SHA-1 hash of is generated, producing a 160-bit key, and a message is sent to any node participating in the DHT. The message is forwarded from node to node through the overlay network until it reaches the single node responsible for key as specified by the keyspace partitioning. That node then stores the key and the data. Any other client can then retrieve the contents of the file by again hashing to produce and asking any DHT node to find the data associated with with a message . The message will again be routed through the overlay to the node responsible for, which will reply with the stored .
The keyspace partitioning and overlay network components are described below with the goal of capturing the principal ideas common to most DHTs; many designs differ in the details.
Read more about this topic: Distributed Hash Table
Famous quotes containing the word structure:
“The question is still asked of women: How do you propose to answer the need for child care? That is an obvious attempt to structure conflict in the old terms. The questions are rather: If we as a human community want children, how does the total society propose to provide for them?”
—Jean Baker Miller (20th century)
“A special feature of the structure of our book is the monstrous but perfectly organic part that eavesdropping plays in it.”
—Vladimir Nabokov (18991977)
“The verbal poetical texture of Shakespeare is the greatest the world has known, and is immensely superior to the structure of his plays as plays. With Shakespeare it is the metaphor that is the thing, not the play.”
—Vladimir Nabokov (18991977)