In classical music from Western culture, a diminished seventh ( play) is an interval produced by narrowing a minor seventh by a chromatic semitone. For instance, the interval from A to G is a minor seventh, ten semitones wide, and both the intervals from A♯ to G, and from A to G♭ are diminished sevenths, spanning nine semitones. Being diminished, it is considered a dissonant interval.
The diminished seventh is enharmonically equivalent to a major sixth. Its inversion is the augmented second.
The diminished seventh is used quite readily in the minor key, where it is present in the harmonic minor scale between the seventh scale step and the sixth scale step in the octave above.
In an equal tempered tuning, a diminished seventh is equal to nine semitones, a ratio of 29/12:1 (approximately 1.682), or 900 cents. There is no standard just tuning of this interval, but one possibility, assuming the flat submediant is a perfect (5:4) major third below the octave, and the leading tone to be 15:16, would lead to an interval of 128:75, about 925 cents; another interval is 216:125, which is three minor thirds.
The 128:75 just diminished seventh arises in the C harmonic minor scale between B and A♭ by combining B-D, D|F, F-A♭. Play
Famous quotes containing the words diminished and/or seventh:
“Growing up means letting go of the dearest megalomaniacal dreams of our childhood. Growing up means knowing they cant be fulfilled. Growing up means gaining the wisdom and skills to get what we want within the limitations imposed by realitya reality which consists of diminished powers, restricted freedoms and, with the people we love, imperfect connections.”
—Judith Viorst (20th century)
“When he bit
that bud of her lower lip,
she started,
shook a finger,
arched her brow,
and hissed,
Leave me alone, you fool,
her eyes narrowing into slits.
Whoever kisses
such a haughty woman
wins the drink of immortality.
Those idiot gods
churned the ocean
for nothing.”
—Amaru (c. seventh century A.D.)