A diminished seventh chord is a four note chord that comprises a diminished triad plus the interval of a diminished seventh (alternatively regarded enharmonically as a major sixth) above the root. Thus it is (1, ♭3, ♭5, 7), or enharmonically (1, ♭3, ♭5, 6), of any minor scale; for example, C diminished-seventh would be (C, E♭, G♭, B), or enharmonically (C, E♭, G♭, A). It occurs as a leading-tone seventh chord in harmonic minor and can be represented by the integer notation {0, 3, 6, 9}.
Because of this it can also be viewed as four notes all stacked in intervals of a minor third. The diminished seventh contains two diminished fifths, which often resolve inwards.
In most sheet music books, Cdim or C° denotes a diminished seventh chord with root C; but it may also happen, mostly in modern jazz books and some music theory literature, that Cdim or C° denotes a diminished triad chord, while Cdim7 or C°7 denotes a diminished seventh chord.
Read more about Diminished Seventh Chord: Uses, Diminished Seventh Root, Inversions, Diminished Seventh Chord Table
Famous quotes containing the words diminished, seventh and/or chord:
“The opportunities of living are diminished in proportion as what are called the means are increased.”
—Henry David Thoreau (18171862)
“Shes in the house.
Shes at turn after turn.
Shes behind me.
Shes in front of me.
Shes in my bed.
Shes on path after path,
and Im weak from want of her.
O heart,
there is no reality for me
other than she she
she she she she
in the whole of the reeling world.
And philosophers talk about Oneness.”
—Amaru (c. seventh century A.D.)
“The notes, random
From tuning, wander into the heat
Like a new insect chirping in the scrub,
Untired at noon. A chord gathers and spills....”
—Philip Larkin (19221986)