Works
A whole series of songs is ascribed to Dietmar, but his authorship can be clearly decided in only a few cases. With those verses which can be attributed to him without any doubt, he belongs in the earliest period of the Minnesang. Dietmar von Aist and his work represent the link between the uncourtly and the courtly forms.
He was one of the first poets to use the refrain and the Tagelied form Wechsel. The themes of his songs are mostly to do with the relationship of men to women (love, parting, partnership), in which connection it is worth noting that some of his poems are written from the female perspective and others from the male. The woman takes a decidedly strong position: for example, she is to be able to choose her own partner freely - cf the poem Ez stuont ein frouwe alleine - There stood a woman alone (eLib Austria; full text in the original). The first surviving Tagelied is also by Dietmar: Slâfest du, friedel ziere? (Are you asleep, dearest one?).
Read more about this topic: Dietmar Von Aist
Famous quotes containing the word works:
“In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
—Joseph De Maistre (1753–1821)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)