Darrell Figgis - Works

Works

  • A Vision of Life (1909) poems
  • Shakespeare: A Study (1911)
  • The Crucibles of Time (1911) poems
  • Studies and Appreciations (1912)
  • Broken Arcs (1912) novel
  • Queen Tara (1913) play
  • Jacob Elthorne (1914) novel as Michael Ireland
  • The Mount of Transfiguration (1915) poems
  • AE (George W. Russell). A Study of a Man and a Nation (1916)
  • The Gaelic State in the Past & Future, or, "The Crown of a Nation" (1917)
  • A Chronicle of Jails (1917)
  • Bye-Ways of Study (1918) essays
  • Children of Earth (1918) novel as Michael Ireland
  • The Historic Case for Irish Independence (1918)
  • Carleton's Stories of Irish Life (1918/9) by William Carleton, editor
  • A Second Chronicle of Jails (1919)
  • Bogach Bán (1922) poem
  • The Economic Case for Irish Independence (1920)
  • Planning for the Future (1922) address to the Architectural Association of Ireland
  • The House of Success (1922) novel as Michael Ireland
  • The Irish Constitution Explained (Dublin: Mellifont Press, 1922)
  • The Return of the Hero (1923) novel, as Michael Ireland
  • The Paintings of William Blake (1925)
  • John Milton and Darrell Figgis
  • Comus: A Mask with Eight Illustrations By William Blake (1926) John Milton, editor
  • Recollections of the Irish War (1927)

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Famous quotes containing the word works:

    When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.
    Ralph Waldo Emerson (1803–1882)

    And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.
    Ron Taffel (20th century)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)