Structure
The style is known as deconstructivist (“new-baroque” to the designers) architecture due to its unusual shape. The “dancing” shape is supported by 99 concrete panels, each a different shape and dimension. On the top of the building is a large twisted structure of metal nicknamed Medusa.
“In the interior of a square of buildings in the eighteenth and nineteenth century, the Dancing House has two central bodies. The first is a tower of glass that is close to half height and is supported by curved pillars, the second runs parallel to the river, which is characterized by the moldings that follow a wavy motion and distributed through the windows so the non-aligned. This solution has been driven mainly by a kind of aesthetic consideration: the windows lined evidenciarían that the building has two windows, although they have the same height as the two adjacent buildings of the nineteenth century. They also do not have to be perceived in the will of the designer, as simple forms on a flat surface, but must achieve the effect of three-dimensionality, hence the idea of frames as outgoing frames of paintings. Also the winding moldings on the facade make it more confusing perspective, diminishing the contrast with the buildings that surround it."
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Famous quotes containing the word structure:
“What is the structure of government that will best guard against the precipitate counsels and factious combinations for unjust purposes, without a sacrifice of the fundamental principle of republicanism?”
—James Madison (1751–1836)
“The philosopher believes that the value of his philosophy lies in its totality, in its structure: posterity discovers it in the stones with which he built and with which other structures are subsequently built that are frequently better—and so, in the fact that that structure can be demolished and yet still possess value as material.”
—Friedrich Nietzsche (1844–1900)
“Each structure and institution here was so primitive that you could at once refer it to its source; but our buildings commonly suggest neither their origin nor their purpose.”
—Henry David Thoreau (1817–1862)