Training and Career
Parducci was apprenticed to architectural sculptor Ulysses Ricci in 1917. While working for Ricci, and later while in the Anthony DiLorenzo studio, his work came to the attention of Detroit architect Albert Kahn.
In 1924 Parducci traveled to Detroit to work for Kahn, only planning to stay for a few months. However, with the automotive industry booming in the 1920s, Parducci moved his family to Michigan and ended up spending the rest of his career working from Detroit. One of Parducci's known Detroit studios was located at Cass Ave. and Sibley St., but it has been demolished. Parducci's studio had tall windows which illuminated his work. Parducci’s work can be found on many of the Detroit area’s finest buildings including from churches, schools, banks, hospitals and residences.
His sculptures can be found in most major Michigan cities including Ann Arbor, Dearborn, Flint, Grand Rapids, Jackson, Kalamazoo, Marquette, Royal Oak, Saginaw, and Ypsilanti. By the end of his long and productive career, Parducci’s efforts adorned about 600 buildings.
The last commission Parducci completed was a portrait of architect Henry Hobson Richardson in a Romanesque setting that was carved on a lintel in the Senate chamber of the New York State Capitol in Albany, New York in 1980.
Although Parducci worked in a variety of styles, notably Romanesque, Classical, Renaissance and even Aztec/Mayan/Pueblo Deco, it was his pioneering of the Greco Deco style for which he is best remembered.
Read more about this topic: Corrado Parducci
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