History
A legend has it that Archimedes used a "burning glass" to concentrate sunlight on the invading Roman fleet and repel them from Syracuse. In 1973 a Greek scientist, Dr. Ioannis Sakkas, curious about whether Archimedes could really have destroyed the Roman fleet in 212 BC, lined up nearly 60 Greek sailors, each holding an oblong mirror tipped to catch the sun's rays and direct them at a tar-covered plywood silhouette 160 feet away. The ship caught fire after a few minutes; however, historians continue to doubt the Archimedes story.
In 1866, Auguste Mouchout used a parabolic trough to produce steam for the first solar steam engine. The first patent for a solar collector was obtained by the Italian Alessandro Battaglia in Genoa, Italy, in 1886. Over the following years, inventors such as John Ericsson and Frank Shuman developed concentrating solar-powered devices for irrigation, refrigeration, and locomotion. In 1913 Shuman finished a 55 HP parabolic solar thermal energy station in Maadi, Egypt for irrigation. The first solar-power system using a mirror dish was built by Dr. R.H. Goddard, who was already well known for his research on liquid-fueled rockets and wrote an article in 1929 in which he asserted that all the previous obstacles had been addressed.
Professor Giovanni Francia (1911–1980) designed and built the first concentrated-solar plant, which entered into operation in Sant'Ilario, near Genoa, Italy in 1968. This plant had the architecture of today's concentrated-solar plants with a solar receiver in the center of a field of solar collectors. The plant was able to produce 1 MW with superheated steam at 100 bar and 500 degrees Celsius. The 10 MW Solar One power tower was developed in Southern California in 1981, but the parabolic-trough technology of the nearby Solar Energy Generating Systems (SEGS), begun in 1984, was more workable. The 354 MW SEGS is still the largest solar power plant in the world.
Read more about this topic: Concentrated Solar Power
Famous quotes containing the word history:
“Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.”
—Matthew Arnold (1822–1888)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)