1970s: Recording and Performing Success
During this period she had two major recording successes. "You'll Answer to Me" reached the British Top 10 while Laine was 'prima donna' in the 1961 Edinburgh Festival production of Kurt Weill's opera/ballet The Seven Deadly Sins, directed and choreographed by Sir Kenneth MacMillan. In 1964 her Shakespeare and All that Jazz album with Dankworth received widespread critical acclaim.
Laine's international activities began in 1972, with a successful first tour of Australia. Shortly afterwards, her career in the United States was launched with a concert at New York's Lincoln Center, followed in 1973 by the first of many Carnegie Hall appearances. Coast-to-coast tours of the U.S. and Canada soon followed, and with them a succession of record albums and television appearances, including The Muppet Show in 1977. This led, after several nominations, to her first Grammy award, in recognition of the live recording of her 1983 Carnegie concert.
She has collaborated with many well-known classical musicians including James Galway, Nigel Kennedy, Julian Lloyd Webber and John Williams.
Other important recordings during that time were duet albums with Ray Charles (Porgy and Bess) as well as Arnold Schoenberg's Pierrot Lunaire, which won Laine a classical Grammy nomination.
Read more about this topic: Cleo Laine, 1960s
Famous quotes containing the words recording, performing and/or success:
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“The white man regards the universe as a gigantic machine hurtling through time and space to its final destruction: individuals in it are but tiny organisms with private lives that lead to private deaths: personal power, success and fame are the absolute measures of values, the things to live for. This outlook on life divides the universe into a host of individual little entities which cannot help being in constant conflict thereby hastening the approach of the hour of their final destruction.”
—Policy statement, 1944, of the Youth League of the African National Congress. pt. 2, ch. 4, Fatima Meer, Higher than Hope (1988)