Chris Cornell - Musical Style

Musical Style

Chris Cornell's songwriting often features non-standard chord progressions and melodies that do not conform with one diatonic scale. A prominent example is Black Hole Sun, which not only involves many kinds of open chords and several key changes in short sequences, but also unique melody phrases with large-interval jumps.

A recurrent characteristic is the usage of major-only chord sequences (Sweet Euphoria, Pretty Noose), which also leads to more subtle key changes.

While a most intensive concentration of Chris Cornell's songwriting style can still be found on the Euphoria Morning album, later works, with Audioslave or on the later solo albums, tend to be more conventional, only sometimes containing short but inventive interlude parts (e.g. Like a stone, Disappearing Act, No Such Thing).

Read more about this topic:  Chris Cornell

Famous quotes containing the words musical and/or style:

    A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.
    T. Berry Brazelton (20th century)

    I never knew a writer yet who took the smallest pains with his style and was at the same time readable.
    Samuel Butler (1835–1902)