History
Born Angelo Siciliano in Acri, Calabria, Italy, in 1892, Angelino, as he was also called, moved to Brooklyn, New York, in 1905, took the name Charles, and became a leather worker. He tried many forms of exercise initially, using weights, pulley-style resistance, and gymnastic-style calisthenics. Atlas claimed they did not build his body. Atlas was inspired by other fitness and health advocates who preceded him; world-renowned strongman Eugen Sandow and Bernarr MacFadden (a major proponent of "Physical Culture").
As a youth, according to the story he always told, Siciliano had a bully kick sand into his face at a beach; at this time in his life, also according to the story, he weighed only 97 pounds (44 kg). Humiliated, the young Siciliano joined the YMCA and began to do numerous exercise routines, becoming obsessed with strength. According to several stories/claims while at the zoo and watching a lion stretch, he thought to himself, "Does this old gentleman have any barbells, any exercisers?...And it came over me....He's been pitting one muscle against another!" He concluded that lions and tigers became strong by pitting muscle against muscle.
In 1921, Bernarr MacFadden, publisher of the magazine Physical Culture, dubbed Siciliano "The World's Most Perfectly Developed Man" in a contest held in Madison Square Garden He soon took the role of strongman in the Coney Island Circus Side Show.
In 1922, the now-30-year-old Siciliano officially changed his name to Charles Atlas, as it sounded much more American. He met Dr. Frederick Tilney, a British homeopathic physician and course writer who was employed as publisher Bernarr MacFadden's "ideas man." Atlas and Tilney met through MacFadden, who was using Atlas as a model for a short movie entitled "The Road to Health." Atlas wrote a fitness course and then asked Tilney to edit the course. Tilney agreed and Atlas went into business in 1922. Tilney himself had an extensive background in weight training.
Read more about this topic: Charles Atlas
Famous quotes containing the word history:
“The true theater of history is therefore the temperate zone.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.”
—Conor Cruise O’Brien (b. 1917)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)