Final Years (1979 To 1982)
Carl Jefferson, president of Concord Records, created a subsidiary label called Concord Picante to market Latin jazz. In reality, Jefferson formed the label specifically to promote and distribute Tjader's work, whom he'd recently signed.
Unlike his excursions in the 1960s and his jazz-rock attempts in the 1970s, Tjader's Concord Picante work was largely straight-ahead Latin jazz. Electronic instruments and rock backbeats were dropped, reverting to a more "classic" sound. During the prior decade he'd built up a top-notch crew of young musicians, his best lineup since his Modern Mambo Quintet of the 1950s, with Mark Levine on piano, Roger Glenn on flute, Vince Lateano on drums, Robb Fisher on the bass, and Poncho Sanchez on the congas.
Tjader cut five albums for Concord Picante, the most successful being La Onda Va Bien (1979) (roughly "The Good Life") which earned a Grammy award in 1980 for Best Latin Recording. That Onda would win an award as best Latin album reveals Tjader's expertise and his ability to cultivate the same in his band. La Onda Va Bien is regarded as a seminal Latin Jazz album.
The A section of Tjader's "Sabor" is a 2-3 onbeat/offbeat guajeo, minus some notes.
Just as lifelong performer Tjader was born on tour, he also died on tour. On the road with his band in Manila, he collapsed from a heart attack and died on 5 May 1982.
Read more about this topic: Cal Tjader
Famous quotes containing the words final and/or years:
“Every gun that is made, every warship launched, every rocket fired, signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. The world in arms is not spending money alone. It is spending the sweat of its labourers, the genius of its scientists, the hopes of its children.”
—Dwight D. Eisenhower (18901969)
“Unlike Boswell, whose Journals record a long and unrewarded search for a self, Johnson possessed a formidable one. His life in Londonhe arrived twenty-five years earlier than Boswellturned out to be a long defense of the values of Augustan humanism against the pressures of other possibilities. In contrast to Boswell, Johnson possesses an identity not because he has gone in search of one, but because of his allegiance to a set of assumptions that he regards as objectively true.”
—Jeffrey Hart (b. 1930)