Brooklyn Museum - Selections From The American Collection

Selections From The American Collection

  • Charles Wilson Peale, George Washington, c. 1776

  • Samuel Morse, Portrait of John Adams, 1816

  • Edward Hicks, The Peaceable Kingdom, c. 1830-1840

  • John J. Audubon, Wild Turkey, lithograph, c. 1861

  • Eastman Johnson, A Ride for Liberty – The Fugitive Slaves, c. 1862

  • Albert Pinkham Ryder, Evening Glow The Old Red Cow, 1870-1875

  • Winslow Homer, The Northeaster, c. 1883

  • George Inness, Sunrise, 1887

  • Thomas Eakins, Letitia Wilson Jordan, 1888

  • John Singer Sargent, Paul César Helleu Sketching with His Wife, 1889

  • Childe Hassam, Late Afternoon, New York, Winter, c. 1900

  • Thomas Eakins, William Rush Carving his Allegorical Figure of the Schuylkill River, 1908

  • William Glackens, Nude with Apple, 1909-1910

  • George Bellows, A Morning Snow--Hudson River, 1910

  • Georgia O'Keeffe, Blue 1, 1916

  • Marsden Hartley, Landscape, New Mexico, 1916-1920

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    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)

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    —Ishmael Reed (b. 1938)

    “We’ll never know the worth of water till the well go dry.”
    —18th-century Scottish proverb, collected in James Kelly, Complete Collection of Scottish Proverbs, no. 351 (1721)