Brooklyn Museum - Selections From The American Collection

Selections From The American Collection

  • Charles Wilson Peale, George Washington, c. 1776

  • Samuel Morse, Portrait of John Adams, 1816

  • Edward Hicks, The Peaceable Kingdom, c. 1830-1840

  • John J. Audubon, Wild Turkey, lithograph, c. 1861

  • Eastman Johnson, A Ride for Liberty – The Fugitive Slaves, c. 1862

  • Albert Pinkham Ryder, Evening Glow The Old Red Cow, 1870-1875

  • Winslow Homer, The Northeaster, c. 1883

  • George Inness, Sunrise, 1887

  • Thomas Eakins, Letitia Wilson Jordan, 1888

  • John Singer Sargent, Paul César Helleu Sketching with His Wife, 1889

  • Childe Hassam, Late Afternoon, New York, Winter, c. 1900

  • Thomas Eakins, William Rush Carving his Allegorical Figure of the Schuylkill River, 1908

  • William Glackens, Nude with Apple, 1909-1910

  • George Bellows, A Morning Snow--Hudson River, 1910

  • Georgia O'Keeffe, Blue 1, 1916

  • Marsden Hartley, Landscape, New Mexico, 1916-1920

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    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    Between ourselves and our real natures we interpose that wax figure of idealizations and selections which we call our character.
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    Americans living in Latin American countries are often more snobbish than the Latins themselves. The typical American has quite a bit of money by Latin American standards, and he rarely sees a countryman who doesn’t. An American businessman who would think nothing of being seen in a sport shirt on the streets of his home town will be shocked and offended at a suggestion that he appear in Rio de Janeiro, for instance, in anything but a coat and tie.
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    Only the history of free peoples is worth our attention; the history of men under a despotism is merely a collection of anecdotes.
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