In Popular Culture
- The 1946 Disney film Song of the South is a frame story based on three Br'er Rabbit stories, "The Laughing Place", "The Tar Baby", and "The Briar Patch". The character of Br'er Rabbit was voiced by Johnny Lee in the film, and was portrayed as more of a "lovable trickster" than previous tales. Disney comics starring that version of Br'er Rabbit have been done since 1945.
- The Magic Kingdom and Disneyland thrill rides, both known as Splash Mountain, are based on the above 1946 film's animated segments. Br'er Rabbit also appears at the Walt Disney Parks and Resorts for meet-and-greets, parades and shows. He also has a cameo appearance in Who Framed Roger Rabbit, and appears as one of the guests in House of Mouse. He also appears in the film Mickey's Magical Christmas: Snowed in at the House of Mouse, often seen hopping in the applauding crowd, as well as in the video game Kinect Disneyland Adventures. Starting with the first Splash Mountain Disney park attraction in 1989, Jess Harnell has provided the voice acting for Br'er Rabbit in all his modern Disney appearances since.
- In 1975, the stories were retold for an adult audience in the cult film Coonskin, directed by Ralph Bakshi. A direct-to-video film based on the stories, The Adventures of Brer Rabbit, was released in 2006.
- In 1984, American composer Van Dyke Parks produced a children's album, Jump!, based on the Brer Rabbit Tales.
Read more about this topic: Br'er Rabbit
Famous quotes containing the words popular and/or culture:
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
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“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
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